Category Archives: Interviews

Panel discussion at SFCamerawork

Thank you to all who attended the gallery walk-through and panel discussion at SFCamerawork this past Friday, October 22nd. The panel featured the artists Jeannie Simms, Greg Youmans, Chris Vargas, and Eric Stanley and was moderated by artist and activist, Tammy Rae Carland. Danny Orendorff and I led visitors on a tour of the gallery, highlighting 5 different works and then during the panel discussed the year long process of curating Suggestions of a Life Being Lived, including the impossibility of the categorization of queer art and the political motivations the guided us.

Home is… at the Asian Art Museum

The artist’s workshop on home and neighborhoods at the Asian Art Museum was a success! Despite having to compete with the beautiful weekend weather and therefore, lower than usual museum attendance, folks of all ages were eager to participate in the two projects: button making and writing letters to their hometowns. Below is documentation from the button making project where I asked participants to describe their own definition of home by completing the sentence, “Home is…” I was reminded what I love most about this subject; I become a receptacle for people’s stories and memories about their homes, and often by association, their families and personal histories. You can watch a short video interview with me filmed by Saly Lee, Arts Program Coordinator at the museum here. Thank you to all my helpers and participants.

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Growing Up Radical: Stories from a Son and Grand-daughter

Red Diaper Kids, children of Communist families in Fairmont Park, Philadelphia in 1953. My father, Rick Roberts and his sister, my aunt Deborah pictured on the bottom row, on the left.

My paternal grandfather, Joseph Roberts (whose given name is Samuel Gobeloff) was a Russian immigrant and member of the American Communist Party. In 1953 during the McCarthy Era, he was convicted under the Smith Act for conspiracy to overthrow the United States government. I met my Grandpa Joe once although I was too young to remember. Growing up I knew only a few facts about him: he was Russian, Jewish and a Communist. Over the past several years I’ve grown curious about the threads connecting my father’s radical family history to my own life and politics. This fall I traveled with my dad to Philadelphia, to the neighborhoods where he was raised and asked him to tell me about growing up as a Communist’s son, what he remembers about his father’s arrest and how his upbringing influenced his own politics and parenting.

Adrienne Skye Roberts: I want to start by asking what you remember about the time that your father was arrested.

Rick Roberts: It is hard to know what are memories and what are stories that were told to me. I was only 3-years-old during the time of the Smith Act trial. Our family was hiding out in Atlantic City because it became apparent that my Dad and the other Communists were being followed by the FBI. During this time other people around the country were being arrested under the Smith Act. My father stopped going to the Communist Party Office in Philadelphia in hopes of evading the FBI. During this time, I slipped on a beach ball and broke my leg. I was in the hospital and I remember that my father stopped coming to the hospital because he had been arrested. There was a feeling of loss and confusion about why my father stopped coming to the hospital. Again, coincidentally when he got out of jail, I recently got out of the hospital and we were reunited. So, we had sort of coincidental incarcerations of two different kinds at the same time. At such a young age this was all very confusing for me.

ASR:  Can you describe the Smith Act and the trial process after your father and the eight other defendants were convicted?

RR:  My father and eight other Communist Pary members were indicted under the Smith Act for conspiracy to overthrow the United States government. After the first trial which was a judge-only trial, they were convicted. The evidence in the trial mainly consisted of witnesses who said they were at specific meetings, speeches or rallies at which somebody, not necessarily one of the defendants, talked about the need to change the government. It was understood that that meant violent overthrow of the government, as opposed to a democratic process. The one specific and most damning testimony was given by an FBI agent who said he directly overheard my father and some of the other defendants talk specifically about the idea of overthrowing the government while in a bathroom at a public location. During the months before the second trial, it surfaced that some of the witnesses were fellons whose sentences were reduced or suspended as a result of their testimonies against the Smith Act defendants. The FBI agent who said he overheard my father admitted that he fabricated the whole thing. The judge who had convicted them after the first trial was to be the same judge on the second trial and rather than undergo the scrutiny of those first trial testimonies, the judge dropped the charges before the second trial started.

Smith Act Defendants handcuffed together in pairs, walking with their attorney's to their arraignment in July 1953. My grandfather, Joseph Roberts pictured on the left with Sherman Labovitz.

ASR:  So, the Smith Act and investigations or witch hunts that your father and the others were subjected to were a part of the broader McCarthy Era and a product of the very real fear that the American government would be taked over by Communists.

RR:  Yes. What was so bizarre about the claim of a violent overthrow of the government was that my father was a sort of an unofficial pacifist. His basic philosophy was that non-violent action and protest. He wasn’t a violent man. He did volunteer for the Army during WWII but was turned away because of his Communist Party membership. My father’s Communist affiliations kept me from being drafted in Vietnam, as well. Within a few weeks of registering for the draft, I received a 4-F card which basically means that the military doesn’t ever want me, for any reason at all, period.

ASR:  Back to the trial, I remember you mentioned that it was Quakers who ended up representing the Smith Act defendants, can you talk about that?

RR:  That’s right. Quaker lawyers volunteered to represent the eight men when it became apparent that no other lawyers would come to their defense. Although they didn’t know the defendants, the Quaker ethic is to allow everybody to have a say. They defended them on first ammendment rights. The lawyers and the community came upon a very unique way to get the bail for the defendants: people signed the titles of their houses as collateral. They would have forfeited their houses if the defendants jumped bail. What I remember about the years after the trial were lots of fundraising events and parties: Hannukah and Christmas parties with both the African-American and the Jewish communities in Philadelphia, all to raise funds for to pay the lawyers. All the social events in my early years were around the defense of the 9 guys who were indicted in Philadelphia.

ASR: Were you taught about Communism at home?

RR:  No. I think it was imbedded in all of the different types of teaching. My parents were both very open-minded and liberal. We talked about the Civil Rights Movement. They were open in teaching about sexuality; my family were nudists. My parents definitely did not sit me down and say, “This is Communism. You need to learn about it.” They talked about fairness and equality. When my father first came to New York City from Dnepropetrovsk in the Ukraine when he was fifteen he worked in the garmet workers industry and joined the union. Later he became a union organizer and that is where he was introduced to the America Communist Party. In fact, he ran for burrough counsel under the Communist Party in NYC in 1934 and lost. So, learning about communism never came across as formal teaching, per say, it was more like learning family history.

ASR:  When did your Dad leave the Party?

RR:  My Dad left the Party, along with many other people, when the news came out that Stalin had a lot of people killed in the Soviet Union. Until that point, he and his friends had an obviously idealistic view of the Soviet Union. They thought it was going to be leading the way and teaching that Communism was the best structure for government as opposed to capitalism. That dealt a big blow to their beliefs. It was hard to believe in Communism after Stalin had so many people killed. It created a schism in the Party.

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Interview with my dad, Rick Roberts, featured in Rad Dad, Vol. 16

Back in August I met Tomas Moniz, editor and creator of Rad Dad, a zine by and for radical parents that has been Moniz’s labor of love for the past 5 years. Rad Dad is an incredible resource and outlet for discussing radical parenting strategies, breaking apart the traditional family structure as we know it and celebrating the overlap of political movements and making babies! I was inspired to contribute to his project by interviewing my own father about his Communist family and socialist politics. I’m pleased to announce that our interview entitled “Growing Up Radical: Stories from a Son and Granddaughter” is featured in the most recent issue of Rad Dad, Vol. 16. To order your own copy of Rad Dad for only $3 and to learn more about the project, check out the Rad Dad blog. Thanks, Tomas! Thanks, Dad!

Interview with Alissa Figueroa for Mission Local

Another interview about Home is something I carry with me. Mission Local journalist, Alissa Figueroa and I toured through both home galleries and talked about the exhibition, as well as housing politics in New Orleans and San Francisco. Figueroa also interviewed several participating artists who are also Mission District residents about their work and ideas about home.

You can read the full article on the Mission Local blog. Thanks Alissa!

Interview with Danielle Sommer for KQED’s Art Spark

Bay Area arts writer, Danielle Sommer interviewed me about the exhibition Home is something I carry with me for KQED’s Art Spark. We talked about my background and the influences that led me to create this project, as well as details about the exhibition and artists. Read the full interview on the Art Spark website. Thanks, Danielle.

100% Authentic on SFMOMA’s Open Space

For this Open Space article I interviewed local artist, Imin Yeh whose printmaking practice addresses cultural stereotypes, labor and consumerism through playful and poignant projects. I had the pleasure of including Imin’s piece “Everybody Loves a Skinny White Boyfriend” in the exhibition For Lovers and Fighters at the Spare Room Project in February 2009. In this interview Yeh offers insight into her experiences of creating work that is inherently personal and political, as well as her navigation through the art institutions from museums to academia. Check it out.

Imin Yeh, CCA MFA show installation